Le Meurtre, 1934 and The Death of Marat, 1934


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The 1934 Drawing and its Correspondences in Picasso's Oeuvre

Le Meurtre, 1934 and The Death of Marat, 1934

These furious drawings, executed in the same traumatic period of Picasso's life, contain an identical murder narrative as the recently discovered drawing.

The Death of Marat, 1934

The characters involved in the murder are also identical, Marie-Thérèse is the victim and Olga is the assailant.

MTW in the 1934 Drawing In the drawing the murderous attack is related in a cryptic fashion, Marie-Thérèse appears to be mortally injured by the 'U' shaped darts stabbing into her neck and shoulder, the darts symbolise pairs of bull's horns and the goring of the horse in a bullfight.

The darts appear to emanate from a cache of similar shapes hidden behind Olga's back. The assault upon Marie-Thérèse is also described in Picasso's private poems of 1935, in which she is "reduced to the miserable state of the wounded horse in the bullfight" and is "subjected to obscene insults and injury."*

The carving knife in both these earlier drawings appears to have also been cryptically incorporated into the recently discovered work, where it appears in the form of Olga's knife-like nose, pointed purposively in the direction of Marie-Thérèse.

Olga, 1934 Drawing

* From a study of Picasso's poems by Jose Barrio Garay, quoted in Hershel.B Chipp's, Picasso's "Guernica", History, Transformations, Meanings. Thames and Hudson, 1989.

© Mark Harris 1996, 1997


Related Picassos

Next Section: Themes of the 1934 Drawing



oOverview
xRelated
oThemes
oSymbolism
oAlchemy
oInterpretations
oPoster Offer
oAppeals
oMiscellaneous
oIndex


© Mark Harris 1996 (content), Simon Banton 1996 (design)

In general copyright of works by Pablo Picasso are the property of the heirs to the Pablo Picasso estate