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The 1934 Drawing and its Correspondences in Picasso's Oeuvre
Classical Prints of the 1920's and 1930's
A wide range of Picasso's prints and drawings of the 1920's and 1930's
contain depictions of hands that are identical in style to the
crucified figure's right hand (seen on the left) in the drawing.
Picasso
has laid special emphasis on the hands of the crucified figure, in fact he
appears to have three hands, each of which are drawn in a different style.
This special emphasis of Picasso's crucifixion hands is a characteristic noted
by Lydia Gasman, in her Phd, "Mystery, Magic and Love in
Picasso, 1925-1938: Picasso and the Surrealist Poets," Columbia University,
1981.
© Mark Harris 1996, 1997
- The Burial of Casagemas (Evocation), 1901
- The Embrace, 1901
- La Vie, 1903
- Phallus and Nude, 1903
- The Mackerel, 1903
- Les Desmoiselles d'Avignon, 1907
- Curtain Design for Parade, 1917
- Pantomime Horse Studies for Parade, 1917 - Related Puppetry Imagery
- Costume Studies for Pulchinella, 1920
- The Three Dancers, 1925
- La Statuaire, 1925
- The Studio, 1925
- Crucifixion, 1930
- Crucifixion Studies of the 1930's
- The Vollard Suite
- Classical Prints of the 1920's and 1930's
- The Dream, 1932
- Le Meurtre, 1934 and The Death of Marat, 1934
- Minotaur with Javelin, 1934
- Minotauromachy, 1936
- Picasso's illustrations of Paul Eluard's poem, "La Barre d'Appui", 1936
- Guernica, 1937
- Guernica in depth
- Picasso's Secret Guernica
- Night Fishing in Antibes, 1939
- Curtain Design for Romain Rolland's Play,"Le 14 Juillet", 1936
- Grand air, Les yeux fertiles, 1936
- Erotic Compositions of the 1950's and 1960's
- Peace, 1952
- Picasso's Bestiary
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